I was born in countryside and used to play in nature, climbing hills, trees and rocks, swimming in the river, and so on. When I was 22 years old, I started painting by self-taught. I wanted to paint nature which I had seen for long time.

　At first, I used oil. But soon changed to watercolor because the atmosphere of oil painting was very different from what I saw in nature, feelings of transiency and eternity of the universe. After 23 years, when I was 45 years old, I began Sumi-e, black and white painting, using only traditional black ink on paper. Because watercolor was not enough for me to express what I saw in nature.

　When I painted by watercolor, I tried to express the feeling of transiency by layering thin colors. But about eternity feeling, I could not catch it at that time. When I got to know the limits of watercolor expression, I started Sumi-e. But it was very different from watercolor. By trial and error, I found many unexpected things; nature was just a symbol, using many wet-in-wet washes invited natural phenomenon in painting, and the unpainted parts, like a mountain covered with snow, or cloud, mist, showed me a great wisdom of how to live. To express without painting implies for me to live without ego, let it be, let it go. Then I found infinite silence and stillness in the black painted background where all transient things come from and go back to. I realized the relation between transiency and eternity.

　Since then, to connect these silence and stillness is my primary thing to paint. Now I do not want to put myself into my painting because I have known that I am not the man who paint a picture, but a witness to the emergence of it. Now I just want my painting to be a clear mirror. As myself goes out from painting, so it reflects your being clearly. Thank you.